Melancholy scatters objects and tools, pointing the wellhead of overpowering dejection.

‘Bed with photograph’, work by Hans-Peter Feldmann
Melancholy scatters objects and tools, pointing the wellhead of overpowering dejection.

‘Bed with photograph’, work by Hans-Peter Feldmann
It may be the form that is force’s maneuver, which brings experience of occurence, scene or object to an accurate fulfilment. It may be the spectator.

‘Untitled’, work by Tobias Schalken
’2.014 Objects contain the possibility of all situations.’- L. Wittgenstein, Tractatus Logico- Philosophicus

‘Aereo A1, work by Antonio Riello
In the speakers: ‘And Then Patterns’, by Four Tet
Unsatisfied with giving just a hint; discontent due to replacing objects for intimation or system of signs, interested only in absolute presence he- the solid, displayed things as big as life for hard-set eye witnesses. They are all planning to investigate nature of the experiment next. Wish them best.

‘Arrivals (I)’, work by Juan Luque
They’ve rented a parallel universe to be the perfect scene for special performance, based on misguiding idea, that our knowledge of abstract objects might be based on perceptual contact. Individuals dressed up in characters wandering around the stage , experienced by the object of their careful study eventually concluded that since perceptual contact doesn’t provide information about how something must be, it is useless in relation to abstract objects, as it fails as ground for beliefs about them. Farther assumptions were concealed with a curtain. And the audience? Well, they have been left to investigate the shadows of things, which cannot be seen, unaware these shadows got simply abbandoned in the space between.
‘Space between’, work by Odelle Morshuis