Shamefully apparent, clairvoyant confusion of useless awareness and irresistible pleasure proudly presents perception instead of language.

Work by Joshua Datu

The target of perception is mainly set on finding or appointing relation of resemblance between the pattern of an artwork and aesthesic standards of imagination.

‘Moeder’, work by Johan Van Dijke

In everyday life we perceive, unaware there is a mechanism of perception, therefore we’re passing over the questions about existence or conventionality of what we perceive. For majority aesthetic pleasure is equatied with a state of mind similar to the usual behaviour; perhaps less utilitar, more intensive and deprived of the unpleasant consequences. Object, which fixes their glance, all mental activity, is identical as the one that occupies them daily: people and passions. Art forms  like fiction or fantasy can be tolerated as long as watching characters and their lot remains undisturbed.

‘Space Invaders’, work by Cindy Wright